Woody Vasulka Movies

An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its...

Short film.

This is an attempt to process abstract images without the use of camera. The central circle divides the creen into two parts that continually vibrate...

Although the video artwork Evolution cites the well-known image of hominid evolution, it is more interested in the evolution of the media than in the...

A 3-minute study of a wrinkle-faced old woman by one or both of the Vasulkas, produced late-career.

This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative...

The image and sound are being simultaneously generated from a single source, which at the same time shapes the visual pattern as well as electronic...

In Studies cycle, abstract studies are assembled, which document the Vasulka's early work with electronic material. The visual aspect of Tissues is...

One of the works assembled in the series Sketches. These early sketches, created not without the irony, examine ways of manipulating the video image....

The Multikeyer and Scan Processor are used for creating the pulsating abstract composition showing six different cases of audio-video interface with...

In 1977 the Vasulkas were commissioned by public television to create six half-hour programs for broadcast on WNED in Buffalo, New York. In the...

In this early formal experiment with analog image processing, the Vasulkas investigate multiple camera set-ups and keyers to articulate spatial,...

B&W Vasulka project with a rotating camera, keyed and alternating directions. This experiment is excerpted in their 1977 work Orbital Obsessions.

Soundsize continues the Vasulkas' investigation into the relationship of sound and image. Here a pattern of dots is modulated by sounds generated...

A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and...

In 1977 the Vasulkas were commissioned by public television to create six half-hour programs (Steina, Objects, Digital Images, Transformations,...

Set to Holst's Mars, the Bringer of War, Bill Etra's original performance on 9 B&W monitors was shot in real-time on 16mm color film by Woody...

Description from Portable Channel catalog: "This Program is a unique broadcast presentation of the Vasulka's recent experiments with the electronic...