Bill Brand Movies

West Virginia industrial landscapes are collaged on an optical printer through a series of jagged shapes that transform the photographed scenes into...

Home movies shot on Super 8mm by W+B Hein over 10 years.

Consisting of a 300-foot-long painting made on reflective material, Masstransiscope is a public artwork visible from the subway tunnels of the...

This film has no literal subject, no frames, only slow continuously shifting colours, cycling around the perimeter of the spectrum. The changes are...

Nearly continuous colour changes rotating around a spectrum, occurring at varying speeds of rotation and in varying values of light. Colours are seen...

Skinside Out features paint on skin, carried out in an expressionist mode on both of the filmmakers' bodies. The emphasis is on the pleasure of...

In this film, circles of colored light (red, green, blue) pulsate and flicker as they move around the frame. Where they intersect, they display a...

Scattered in seemingly random order, on the screen, we see the light that traverses the kinetic fields of Bill Brand’s latest film August...

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

Chuck's Will's Widow is a eulogy for my father and mother whose ashes are spread in the Adirondack mountain woods where the film is shot. Visualized...

This is my digital/analog contribution to “Xochimilco Treasure Hunting” in Mexico City on the final day of "HAZLO TU MISMO,"...

Katy Martin paints directly on her skin, and uses her whole body to make marks with the paint. Bill Brand frames the action and its trace, in the...

An Angry Dog is a hand-held animation made from a Cracker Jack toy.

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes...

Still at Work, a self-portrait of the artist in his places of work: the studio in Lower Manhattan and Sarah Lawrence College, the school where he...

In It Dawn Down an ordinary take-up reel spins to make colorful and delicate patterns even though the film is black and white.

The Central Finger (16mm, silent, 5 1/2 minutes, 1974).

In a 2.5 minute sequence, a simple series of ordinary gas station events is seen intermittently through the opening display. This sequence is then...

Here, my body is explicitly a screen on which I project my father’s photographs of the family to articulate my position of difference within...

Flickering flames viewed through air vents of a wood burning pot belly stove resemble the shutter of a film projector.